Ryan Kirby Art

oil painting

My 2017 Southeastern Wildlife Expo Painting Lineup

Original Oil Paintings, Inside Ryan's StudioRyan KirbyComment

If you follow my work long enough, it's inevitable that you'll see mentions of the Southeastern Wildlife Exposition (or SEWE for guys like me that don't like to type or say long, fancy words). 

This is my fourth year attending SEWE, and each year gets better. I enjoy seeing so many passionate wildlife enthusiasts under the same roof and hearing their stories from the field. Kim and I have developed several friendships with artists and their spouses and we love reconnecting with them and seeing their new work. In addition, SEWE does an incredible job of hosting and entertaining such a large number of people, and Charleston provides the perfect setting for an event of this caliber. We sell pretty well, too. 

Below is the lineup of original oil paintings I'll be bringing this year. If you're at the show, stop by and see them in person (and take one home with you if you really like it). In addition, I'll be speaking at the Citadel about art, hunting and wildlife on Wednesday, February 15th from 6:45-8:00 pm in the Bond Hall Auditorium. (Click here for more info) It's free and open to the public. This year promises to be another great SEWE, and we're looking forward to seeing you there.

"Crossing Guard" 

30"x24" Oil on Canvas  |  $5,800

My newest piece, this bull elk is one of my best yet. The bugling bull always gets the attention in photos and paintings, and I've done my fair share of them for sure. But to me, this pose is the one that captures the anticipation and excitement of the rut. Head low, antlers kicked back, nose in the air and on the move. Whether he's after a cow or stepping forward to face a challenger, you know something exciting is about to go down.


"First Light Flight" Triptych

Three 12"x18" Oil Panels  |  $5,200

Dove season is a holiday in the south, and nothing makes a great southern hunting scene like a group of fast flying, dipping and diving mourning doves. I wanted to set this piece up differently than a standard horizontal canvas, so I painted the scene across three panels to create a triptych. I imagined this piece as hanging in an entryway or foyer with a table underneath, making the perfect, unique statement in a southern sporting home.


"Chief" 

36"x24" Oil on Canvas  |  $6,500

I love turkey hunting in the North Carolina mountains. Few things are as challenging and rewarding as hunting Easterns in steep terrain and unpredictable climate. One morning, as I neared the crest of a hardwood covered ridge, I saw this cluster of moss-covered rocks (minus the turkeys) and was inspired to paint it (plus the turkeys). I imagined a dominant longbeard running these ridgetops and ruling the roost, "Chief" over his territory. Look closely and you'll also see some Native American art on the center foreground rocks, a nod to the generations that have chased wild turkeys in the Appalachian mountains for centuries.

Click here to watch this piece in progress.


"Mr. Photogenic", the 2016 September Cover of Outdoor Life

18"x24" Oil on Board  |  $4,600

Two years ago, I brought the first OL Cover down to SEWE and it sold on the first day (Read the full story here). Last year's cover painting sold before the show, and now this year I'm bringing it back. "Mr. Photogenic" is the third of such covers, and the loosely painted surroundings and regal pose make this one truly unique.


"The Calm After the Storm"

30"x24" Oil on Board  |  $5,200

I don't often try to tell a full story in a painting, rather capture a fleeting moment in time. But this piece is different. A snowstorm has just rolled through and the first rays of light illuminates this coyote's face. In addition, another storm took place - one of life and death. He's exploded through the snow to catch a rooster pheasant in mid flight, about to enjoy his dinner in the calm after the storm.


"The Beat of His Own Drum"

18"x24" Oil on Board  |  $4,500

Grouse are a new challenge for me. Since moving to the Appalachian Mountains, I've been scared to death as the underbrush explodes with the flush of a holding grouse while I'm turkey hunting. I've also listened to their low, steady drumming from a ridge top or logging road and been unable to find the source. It's not often you get to witness grouse doing their thing, so I wanted to paint this scene and give the viewer the opportunity to enjoy a grouse trying to drum up a mate, showing his stuff and marching to the beat of his own drum. 


"Grandfather Gobbler"

36"x24" Oil on Canvas  |  $6,000

One morning my buddy Shae and I were hunting north of Boone, NC in a mountaintop pasture with a view of Grandfather Mountain in the distance. We chased a longbeard all morning, while he simply chased his hens. So I snapped a few reference pics of the scenery and upon returning to my studio, I decided to paint that longbeard and his hens marching right into our laps with the profile of Grandfather Mountain in the distance.


A Good Name

The Wild Life, Inside Ryan's Studio, Original Oil Paintings, Wildlife Art Prints, HuntingRyan Kirby1 Comment

There's nothing that I could add here that this video doesn't already say.

But I'll try.

The outdoors has taught me a lot about life. If you read my blog posts, you'll see hunting and wilderness themes intertwined throughout like a vine up a hickory tree. Self employment has also taught me a tremendous amount about life, risk and reward, sowing and reaping, and the value of time and talent. But nothing teaches a man more about life than fatherhood. Nothing changes a man's heart and priorities like walking into a room and seeing his child's eyes light up. Nothing makes a man want to be a better man than realizing that his wife and children are watching his every move.

When I look at Rhett, I realize that what I make of myself will, in part, determine his direction in life. Far better than silver or gold, a good name is a better gift than anything we could buy on Amazon or lug out of the mall. He's changed our lives forever, and he deserves the best that money can't buy.

This Christmas, remember that the true gifts, the gifts we can't live without, the gifts that keep on giving, the gifts that we'll never forget, have names.

Merry Christmas.  


This video came together through the hard work and talent of Boonetown and Paul Sherar Photography. They're the best at what they do. Check 'em out, and hire them.

The September Cover of Outdoor Life Magazine

Inside Ryan's Studio, Hunting, Original Oil Paintings, The Wild Life, Wildlife Art PrintsRyan KirbyComment
Progress on the September 2016  Outdoor Life  cover

Progress on the September 2016 Outdoor Life cover

May 2016 seems like a decade ago.

In reality, it's only three months. But I've been a brand new father for two and half of those months, and anyone with kids remembers the early days. They're a blur. Like watching a NASCAR race from turn 2 at Talladega, they're loud, fast and they pass you in an instant. 

So it was a surprise to me when a follower hit me up on Facebook with a compliment about the September cover of Outdoor Life magazine. My immediate reaction was "Huh? What day is it? I thought that thing was supposed to come out in.....oh crap, it's August already. My bow's not sighted in. Kentucky's bow season opens in how many days? Did anybody feed the dog today?"

You see, magazines work months in advance of the issue's drop date. The whitetail tips and tactics you love to read in November are planned during the velvet-covered, soybean days of summer. That's why I had spent the latter half of May working up sketches of OL's Deer of the Year and collaborating with their creative team on a look and feel for the September cover.

Once we had approval on the concept, I began painting in mid-May. I was racing the clock in more ways than one. Not only was their production deadline looming, but Kim's belly was maxed out with our first child, a son named Rhett, who was due the first week of June. It was an exciting, adrenaline filled time for sure.

This year's painting was our third fine art cover in as many years. And like any talented, forward-thinking team, the OL crew wanted this year's painting to stand apart from previous painted covers. So we went with a more loose, artistic style on a white background. Rather than a large painting with a full, completed background, this one stayed clean and simple, with just enough habitat to keep the buck from floating off the page. A white background allows the cover lines and masthead to pop from the newsstand.

It was a blast to paint. The more mature I get as an artist, the more I like to keep brushwork loose and composition simple. I also like to work quickly and have a little fun. Never at the expense of accuracy, but always in pursuit of a higher form of creativity. Too much detail and you lose the essence of the animal. The famous martial artist Bruce Lee said "It is not daily increase, but daily decrease. Hack away at the unessential. Simplicity is the key to brilliance." I've taken that insight to heart in my work and life.

So, here we are, now in late August. The September issue of Outdoor Life just hit newsstands and mailboxes nationwide and Rhett Daniel Kirby is all smiles. Both of these unknowns back in May are a reality today. As I sit and hold them both, I can't help but think of the incredible memories afield that Rhett and I are going to share chasing bucks like the OL Deer of the Year. I hope one day he kills a buck this big, and that he'll come to me to paint it for him, just like the crew at Outdoor Life.

Thank you, Outdoor Life, for the opportunity to make history and inspire your readers through art. I hope all of you readers out there enjoy the September issue inside and out, and appreciate the time and talent that we put forth to bring it to you.

Wildlife Artist Ryan Kirby paints the Outdoor Life "Deer of the Year" for the Magazine's September Cover